THIS PROJECT IS A CONTINUATION OF MY INVESTIGATION INTO THE SEMIOTICS OF PERCEIVED PERSONAL IDENTITY PARADOXES THROUGH MASKING FORMS AND TECHNIQUES AS SPOKEN ABOUT IN MY DISSERTATION. ALONG WITH AN ART BASED AND CIRCULAR APPROACH TO DESIGN THIS PORTFOLIO INVESTIGATES HOW MY OWN PERSONAL FEARS AND UNDERSTANDINGS OF THE WORLD CAN BE CURTED AND DEVELOPED INTO A RAW PHYSICAL FORM. WHEN SEPARATED FROM IDENTITY; THE BODY ALLOWS EMOTION THROUGH THE MEDIUM OF FABRIC TO REDEFINE HOW SOCIETY CONFORMS IT’S TRADITIONAL BINARY STRUCTURE. REFOCUSING FASHION ONTO EMOTION AND EXPRESSION, RATHER THAN SEXUALITY AND CONFORMITY, IN A WAY THAT BOTH UNDERSTANDS, ACKNOWLEDGES AND ATTEMPTS TO RECONSIDER THESE IMPLICATIONS ON THE HUMAN FORM.